As we neared the magical Isle of May we started to see little puffins bobbing on the water and an abundance of sea birds.

An Abundance of Sea Birds

Most of the birds are busy nesting and so it is important to tread carefully. The puffins nest in little burrows on the ground and some of them were very close to the path. 

Inspiration for my Art

Studying wildlife in the natural habitat and up close is important to be able to convey their character on the canvas.

I therefore made sure I took time to really study these fascinating animals and observe their behaviours. This enables me to capture their unique personalities back in the studio.

I have since made a number of puffin-inspired works that you can see in my website shop

Welcome to my fascinating world of animal art, where each brushstroke and colour choice brings the essence of wildlife closer to heart. In this blog, we dive deep into the artistic process that captures the unique personalities of animals, transforming them from mere subjects to storytellers on canvas. From the initial spark of inspiration to the final execution, each piece of art is a testament to the beauty and complexity of nature.

Inspiration Behind the Canvas

The journey of an animal artwork begins with a flicker of inspiration—an encounter, a memory, or a moment in nature that strikes a chord deep within. For me, it’s the unspoken tales of the wild, the quiet dignity of a hare, or the majestic presence of a highland cow that kindle my artistic fire. These creatures, each with their unique character and story, inspire me to pick up my brush and capture their beauty.
The Yorkshire countryside, with its untamed beauty and wildlife, serves as an endless source of inspiration. Watching a hare dart across the field or a group of them playing at dusk ignites my imagination, urging me to preserve these fleeting moments in my sketchbook, or on canvas. 

Observation and Connection

To truly capture the personality of an animal, one must first observe and connect with it. This connection is not merely physical but emotional, allowing animal artists to see beyond the fur and feathers into the soul of the creature. Spending hours, sometimes days, in nature, I watch my subjects in their natural habitats, noting their habits, movements, and expressions. This deep observation helps me understand the animal’s behaviour and traits, forming a bond that transcends the physical realm. It is this intimate acquaintance that enables me to translate their personalities into art, ensuring that each piece not only depicts their appearance but also embodies their spirit.

The Effects of Different Animal Art Mediums

Animal artists use a variety of mediums to bring their visions to life. Each medium offers unique characteristics that can significantly impact the portrayal of animal personalities. Here’s how different mediums contribute to capturing the essence of wildlife:

Oil Paints: Known for their richness and depth of colour, oil paints allow for detailed textures and subtle colour transitions, making them ideal for capturing complex fur patterns and the lively expressions of animals.

Acrylics: Acrylic paint dries quickly and offers a versatile range of effects. Its ability to layer easily makes it perfect for creating dynamic landscapes and highlighting the vibrancy and energy of wildlife subjects.

Watercolours: The fluidity and transparency of watercolours are excellent for capturing the ethereal beauty of animals. This medium can convey the softness of fur, the delicacy of feathers, and the gentle nuances of animal expressions with a dreamlike quality.

Charcoal and Pencil: These mediums are perfect for emphasising the stark contrasts and intricate details of animal features. The monochrome tones can convey powerful emotions and the raw beauty of wildlife.

Choosing the Right Moment

Art is about capturing moments, and when it comes to portraying animals, selecting the right moment is crucial. It’s about finding that split second when an expression or a pose encapsulates the animal’s character perfectly. Sometimes, it’s the mischievous glint in a squirrel’s eye or the serene grace of a bird in flight. These moments are fleeting, often lasting no longer than a heartbeat, but when captured, they tell a story. The challenge lies in being both patient and prepared, ready to immortalise that perfect instance when the animal’s personality shines brightest.

Through these initial stages of the artistic process, the foundation is laid for creating artworks that not only depict animals but celebrate their individuality and the shared connection between them and us.

The Final Touches

The final touches on a piece of art are not just about completion but about breathing life into the work. This phase involves revisiting the initial inspiration, refining details, and enhancing contrasts and colours to ensure the animal’s personality shines through. It’s also a time for the artist to step back and view the piece as a whole, ensuring harmony and balance within the composition. The signing of the artwork marks its completion, serving as a seal of authenticity and the artist’s connection to the creation.

If you need inspiration for your wild art, check out some of my pieces and see if they meet your tastes.

On Yer Bike!

Vicki is a keen cyclist, and often enjoys picturesque bike rides around the beautiful Yorkshire Dales and surrounding countryside.

Not only is cycling a fabulous way to keep fit and get fresh air, it’s also perfect for spotting wildlife. Cycling offers a unique view over the stone walls and hedges with frequent sightings of deer, hares, and many types of birds. Cycling is generally quieter than driving a car and it’s possible to get closer to the wildlife and take time to stop and observe nature more closely.

Colour Wheels – Acrylic on Canvas, 90cm x 90cm, 2023

Finalist- The Great British Art Prize 2023

When depicting cycling in my artwork, I prefer to focus on capturing movement and colour. I lean towards bold colours and quick strokes.

‘Colour Wheels’ was created with acrylic paint on a large canvas with thick passages of impasto paint, incorporating lively and natural ‘drips’ along the way. The result is a bold explosion of colour that captures a real sense of movement and drama. I was delighted this painting reached the final of The British Art Prize 2023.

Soft pastel is also a useful medium to create lively cycling artworks as pastels can be effectively smudged and manipulated directly onto the paper. This enables the addition of ‘swooshes’ of colour to indicate speed and movement.

Soft pastels also contain high quantities of pigment and so the colours are bold and vivid.

‘Speedy’ is an example of cycling rendered with soft pastels.

‘Speedy’ Soft Pastel on Card

Cycling art can benefit from a loose, expressive, and somewhat abstract approach. This can be achieved by using multiple layers, soft edges and bold mark making, perhaps using a palette knife or large brush.

‘Downhill’ was created using a palette knife and a limited colour palette. The bold touches of bright orange add a dynamic contrast. There’s a real sense of drama in this piece. It was also nice to give downhill mountain bike cyclists an artwork of their own. This painting is available as a fine art print, greeting card and coaster. 

Future pieces in this collection will include different types of cycling specialities and the inclusion of female cyclists. Watch this space!

Now, get on ya bike!

‘Cycling the North Coast 500’

Local Art Shows and Fairs- A Guide for New Artists

Most artists find exhibiting at local shows and fairs to be a really rewarding experience, and they offer an excellent way to gain exposure, share your latest pieces, connect with a new audience and network with other artists and small businesses.

This blog post will explore the ins and outs of attending a local event, with the aim of helping new artists who are keen to try an event but are not sure where to start!

Preparation

The quality of your work is important, and key to a successful show. Ensure your artwork is well presented in good quality frames; choosing a neutral colour and all the same can be quite effective in presenting a cohesive body of work. Prints should be mounted and available for customers to easily browse

Designing Your Display

You may need to get creative when designing your booth or stall. Often you will be dealing with flimsy walls – such as a shell scheme- or sometimes no walls at all! You will need to think carefully how you can best display your artwork and make it as visually appealing as possible.

Think about using the available space to enable customers to easily browse and use signage and lights to attract attention.

You will also need to ensure you complete a risk assessment to ensure the safety of yourself and visitors to the show; most organisers will expect to see your risk assessment as a prerequisite to exhibiting.

Engaging with Visitors

Most visitors to your stand will be keen to interact with you and they will often ask you about your inspiration, background, or what techniques you have applied. Talking about your work with interested viewers is one of the best parts of being at a show!

Make sure you are approachable and share insights into your work which will help visitors connect with your work.

It’s also worth mentioning that not every visitor to the show will be enchanted by your work and may walk by without so much as a glance, and that’s okay! It is not possible for your work to appeal to every taste.

Promote The Event

Participating in a fair or show is a great opportunity to update your social media followers and email subscribers. They will be really excited for you, and the event organisers will also be delighted when you help share news about their event and attract more visitors.

Capture New Leads

Don’t miss out on the opportunity to collect details from future connections. Have a sign up sheet where visitors to your stall can sign-up for your newsletter and you can keep them updated regarding future events, latest works and art-related news.

An incentive to sign up can be useful, such as a print giveaway, with one lucky winner randomly selected following the event.

Pricing your Artwork

It can be challenging to work out the right prices when you are just starting out. Try and consider how much you have invested in materials and framing, and don’t forget your time in creating the piece.

It is worth having a range of price points, and perhaps some non-wall art items such as greeting cards, mugs, coasters, or tea towels. These are perfect for people looking for small gifts or for customers who love your art and are not looking to buy wall art just at the moment.

If you are not sure where to start, then do some research online and see what other artists at the same level charge for similar work.

Ensure you are consistent with your pricing and consider raising your prices when your sales start to increase and there is demand for your work.

Follow-up After the Event

Make sure you follow up with any customers who expressed an interest in your work and complete the prize draw if you had a print giveaway.

You can post again on your social media to let your followers know how the event turned out and let them know when and where you will be exhibiting next.

Also, remember to thank the organisers and provide them with feedback on the event via their evaluation form.

Conclusion

Exhibiting at an art fair or show can be so much fun and is very rewarding. With careful planning prior to the event, you should have a positive experience and you will make new connections with potential customers in addition to making new artist friends.

The simplicity of watercolour!

I’ve recently fallen in love with my watercolours again. As you will know if you follow my work, I do like to experiment with different drawing and painting mediums and rarely stick to using just one. My studio is brim full of art materials and I love them all. There’s probably room for more though…

Watercolours are fun to work with, mainly because they are rather unpredictable – you must trust the paint and enjoy a few ‘happy little accidents’! 

As detailed in my previous post, I keep a sketchbook for regular drawing and painting, and watercolour is a useful medium for the sketchbook. I find it covers the surface quickly, adds a lovely depth of colour and works beautifully with ink pens, as with this little bothy sketch.

When painting this beautiful hare, I first sketched the outline with graphite pencil. I used watercolour board (a heavyweight watercolour paper mounted on card) which stops the paper ‘buckling’ which can happen when water soaks into the paper.

I chose a palette of Yellow Ochre, Cadmium Orange, Windsor Yellow, Raw Umber, Burnt Sienna, Indian Deep Red, Ultrramrine Blue and Black. I use the Windsor and Newton Professional watercolours in tubes.

I must admit, I lost the way a little bit in the middle of the painting, mainly because I realised my initial drawing was ‘off’ and I wasn’t happy with where I had placed the eyes. I successfully lifted off most of the pigment which enabled me to make the necessary corrections. It’s not always easy to do this with watercolour though!

I ended up being pleased with the  result. I chose to leave the background plain white, and he is now with my framer for mounting and framing. I can’t wait to to see what he looks like in his smart new frame!

Some of my previous watercolour sketches have been created in a rather more illustrative style, such as ‘Blossom Hare‘ and ‘Autumn Hare‘. These really show off the simplicity of the watercolour medium; again, I have used ink fine-liner pen to outline some of the paint. Prints of these paintings are some of my bestsellers.

The other lovely thing about watercolour is you can get splashy. It’s fun to load the brush with lots of pigment and flick the brush across the page. This can create a sense of movement to the painting, in addition to making the artwork loose and colourful.

Another way to create interesting shapes and effects with the paint is to blow it with a straw when wet, and maybe try tipping the paper to let the paint drip.

You can also use kitchen paper towel and bubble wrap to blot the paper and create interesting effects.

See, watercolour is fun!

A Glimpse into my Sketchbook

I use a sketchbook to develop new ideas, experiment with different colour combinations and try new materials. Overall, my sketchbook is a place to have fun!

Most artists use a sketchbook to some degree, with many using the finished sketchbook as a work of art in itself. My sketchbook work is quite varied, from pencil sketches, colour studies and thumbnail drawings to help work out composition. I don’t worry too much about ‘getting it right’ which lends a certain freedom to the creative expression.

The smaller studies from my sketch book help inform larger pieces and final works.

My current sketchbook is A4, but I have some much smaller sketchbooks too. I usually take a sketchbook and a small selection of materials with me whenever I travel so I can quickly capture scenes or  subjects that catch my eye. A field sketch can capture different elements to a photo and can prove to be a useful reference back in the studio.

Thumbnail sketches are an excellent tool to help plan paintings and work on composition.

Here is a series of small landscape thumbnails in my sketchbook, using watercolour and gouache paint. Thumbnails are a great way to explore different ideas for a final painting, without using too many expensive art materials in the process. 

Overall, I love my sketchbook and use it often. I find it has helped me develop my skills as an artist. If you haven’t got at least one sketchbook on the go already, or the one you do have is gathering dust, then I highly recommend you get sketching today!

Two vibrant new cycling-themed works added to Vicki’s collection

Two bold, bright, and dynamic cycling-inspired artworks have been released this week. The works are striking, and both feature heavy and textured (impasto) palette knife painting. 

The piece titled ‘Colour Wheels’ is a red-and-blue dominant palette, with accents of green and yellow. This painting started out as a relatively boring and straightforward depiction, but some thick paint applications (straight from the tube!) and scrapes with the palette knife soon livened things up a little! This was great fun to create, and it’s certainly attracted a lot of attention from cycling fans on social media!

The reference photo was of one of my favourite cyclists – Peter Sagan- although there is very little from the original photo used since the colours have gone a bit bonkers. I also enjoyed abstracting the image to create a sense of movement and drama.

The second piece features a downhill mountain biker – the first time a mountain bike has been featured in Vicki’s cycling collection.

Again, thick, and textured paint adds a gnarly effect to the canvas and a bold colour palette helps this painting really stand out.

The cyclist and background are abstracted to ensure a sense of drama, with blue and orange complimentary colours helping the image really ‘pop’.

Vicki’s cycling-inspired collection is steadily growing, with more expected so do keep your eyes on the website and social media. Let me know if you have any special requests or funky ideas for new works!

A quick introduction and description of Vicki Davidson fine art prints!

Fine art prints are a great way to access fine art, created with quality materials, but without the price tag of an origianl piece.

Vicki Davidson prints are professionally produced using archival quality inks and fine art paper. I use a local company – Nidd Imaging– who describe the process of ‘Giclée prints’ on their website;

“Here at Nidd Imaging, our work is produced on the very latest large format Epson printers, using Epson’s latest Ultrachrome HDR ink set, which consists of 11 separate colours. This allows us to achieve a much closer reproduction to the original, especially the more vivid, saturated colours”.

Each print is personally checked by myself to ensure the origial artwork is perfectly matched for colour and tone.

 Once I receive the prints, each one is signed and titled (and numbered for a limited edition) and then my framer carefully fixes the artwork into a card mount and fixes to a hardboard backing. This ensures the prints are beautifully displayed and carefully protected – ready for a frame of your choice.

All of the prints are acetate wrapped to ensure they are kept in pristine condition and protected from any knocks or moisture.

Most of my prints are available in three standard sizes of small, medium and large, however, bespoke sizes can be ordered so please get in touch if you wish to discuss a specific size or need help in choosing.

I have spent these first few weeks since the start of the New Year limbering up with small sketches. I find it very satisfying to sketch with loose lines and splashes of bright watercolour.

These sketches are also popular with my customers! They can make unique little gifts, especially when they are professionally mounted. Please keep an eye on my website as I am adding new little sketches and paintings all the time. All are professionally mounted.

I have also been experimenting with some new materials. I had been considering Ampersand ‘Aquabord’ for some time now and treated myself to a couple of boards to try. It turns out it’s rather cool!

The limiting factor with most watercolour papers is the amount of water you can use. At some point, even the strongest and thickest of papers will start to buckle under heavy water use. These ‘aquabords’ have no limit to the amount of water they can take and will never warp or buckle. The paint can also be lifted off again which can be useful and it’s possible to create some unique effects by allowing the paint to pool and run. Fun!!

Another advantage of the boards is the ability to varnish the finished painting (although realised too late this should be a spray varnish as brushing it on can drag the paint. I sadly ruined my first painting by making this mistake)

I was really pleased with the results and will be continuing to use these boards for further watercolour paintings this year.

Commissions

I tentatively started to accept some new commissions towards the end of last year. I try not to take on too many as I need to balance my creative time and to avoid unnecessary pressure as my art sits alongside a full-time job and my family. However, I do enjoy working with customers to help create their ideal painting and bring their vision to life.

I am currently working on a large (90cm x 90cm) monochrome palette acrylic painting for a customer that bought one of my paintings from a gallery last year and wishes to make it a matching pair! I have also created a wedding gift (I can’t share that yet!) and have a couple of projects booked to keep me busy up to the summer months.

Product Focus – Prints

Prints are an affordable way to purchase fine art; they don’t carry the price tag of an original artwork, but they remain a high-quality and archival product.

I source the highest quality printing (NiddImaging, Pateley Bridge) ensuring an excellent standard of colour-matching and best grade fine-art papers. The prints are individually titled and signed before being professionally board-backed and mounted. Finally, each print is wrapped in clear acetate to keep it in pristine condition until framing.

Prints are shipped flat and always carefully packaged to ensure your artwork arrives in perfect condition. Most prints are offered in three sizes – small (approx A5), medium (approx A4) and large (approx A3). Alternative and bespoke sizes can be arranged if required, please just message me to discuss your requirements hello@vickidavidson.com

Looking Ahead

I have submitted several applications for events throughout 2022 and I will keep you updated as these are confirmed. You can also see details of my upcoming events on my website

The first confirmed event is the Living North Magazine’s ‘LIVE’ at York Racecourse, 25-27 March.

“Living North LIVE is the North’s leading interiors, lifestyle and shopping event. Focussed on stylish shopping, live demonstrations, talks and tastings, Living North LIVE brings you inspiring ideas for your home and garden, alongside delicious food and unique accessories that you won’t find anywhere else.

Living North LIVE is a great day out for all the family!”

And… news just in – I am going to be a stall holder at ‘The Yorkshire Dales Food & Drink Festival’ at Skipton, North Yorkshire in July. This will be my first time at this event and it looks like a fabulous weekend, including demonstrations by chefs James Martin and ‘The Hairy Bikers’!

I can’t wait!!!

I was recently asked to create a video to support wellbeing at work. Learning a new skill, and being creative, are excellent ways to help you unwind and relax.

I thought I would share the video here so you can take a look and perhaps have a go. I’ve tried to provide a quick demonstration for you, with some ideas on kit you will need along with a few basic skills and tips.

The key thing to remember is you can’t do anything wrong. Just relax, unwind and get creative!!

After the disappointment of cancelled events in 2020 (no explanation required as to the reason for this!) it felt wonderful to be back at an art fair and my first experience of the very well respected and established ‘Art in the Pen’.

This event is held annually at the auction mart in Skipton. Usually a busy cattle and livestock market, the gated pens are transformed for the weekend into vibrant, interesting and colourful art and craft stalls – over 200 individual artists and makers under one huge roof.

I was a little overwhelmed when I arrived at the venue as the pen is so bare and it was hard to work out how we could transform it into a welcoming art gallery. Luckily it had been thoroughly washed and was nice and clean – although there was definitely a lingering farm smell, but that’s all part of the atmosphere of the event I guess!

I was very grateful to my daughter who came along to help; she kept me organised and together we worked out how to set things up.

I thought it would take us a couple of hours to unload the car and set up but I think it was closer to five hours in the end!

There was a real buzz about the place with fellow artists and makers all trying to set their stalls up – some simple and others slightly more complex. We saw some artists building temporary walls, display stands and hanging frames.

In the end, I was pretty happy with how our pen looked – I think the art was well displayed and I hope it looked friendly and welcoming. We had a range of original art, framed prints, canvas prints, mounted prints and a few little sketches and unique pieces from my studio. In addition to my animal artwork, I also displayed some of my portraits which received a great deal of attention.

Art in the Pen is a two day event and this year entry was via pre-paid tickets to avoid overcrowding and try and facilitate social distancing. All the tickets were sold (with the exception of the last hour on each day) and the visitor numbers were just under 2000 on each day.

I really enjoyed the opportunity to meet people and to talk about my artwork in person. People were keen to browse and we did very well on both days in terms of sales – a good mixture of original work, mounted prints and greeting cards. I was also able to answer questions and discuss my inspiration, techniques and materials.

As this was my first time exhibiting at Art in the Pen I also took time to visit other stalls and chat with fellow artists. Everyone was so friendly and I found it interesting to see how differently people had set their pens up. I certainly took away some hints and tips for next year.

So, a really enjoyable event – lots of work, but lots of fun too. I am already thinking about what I would do differently next year and how to simplify the setup so it’s quicker and easier to install. I also think I will apply for a double pen…… 🙂

Art in the Pen – Website

Although I usually take my sketchbook on holiday, I don’t always get much chance to sketch and draw as we tend to be rather active when we’re away. However, it’s surprising what you can achieve with a quiet five minutes here and there.

A recent family trip to the Scottish Highlands provided the perfect inspirational landscapes and abundance of wildlife to really get in the creative vibe. I particularly enjoyed watching the plethora of sea birds that inhabited the wild shores near our cottage.

My very basic travel kit consists of watercolour paper (a sketchbook and some loose sheets), pencils, ink pens and a little tin of watercolour paints. This is enough for what I need.

I like to combine quick, spontaneous pencil sketches with areas of finer details, watery washes and some dashes of more vibrant colour hues. I finish with outlines and details with the black fine-liner ink pens.

I fill the sheets randomly with a variety of sketches and poses. I use direct observation in addition to referring to photographs to help understand the subject a little better.

These little sketches can then be used to inform larger pieces of work on my return to the studio.

Whilst out and about exploring the shore of the sea loch I encountered lots of oyster catchers and herons. In fact, whilst enjoying a leisurely kayak up the shoreline, I spotted ten herons flying off the rock in front of me. Although I spot a lot of herons here in North Yorkshire, I usually only see a solitary bird, so ten in one go was quite a spectacular sight. Their wing span and tall, skinny stature is very distinctive. I presume they have plenty to eat here!

I really enjoy doing these little sketches and I find it extremely relaxing. It also helps me take note of my surroundings and pay attention to the abundance of wildlife. I have noticed since becoming an artist I am more visually aware and take note of how light falls on a subject and striking colour combinations.

By drawing on holiday it also means you have a unique souvenir of your time away. However, on this occasion I decided to leave our lovely hosts my drawings as a thank you for our stay. They were delighted with this and have told me they are going to frame them and display them in the cottage which is really lovely. 

If you haven’t been to the stunning West Coast of Scotland I would highly recommend it! We stayed near to Skye and the Kyle of Lochalsh. This is an excellent location to explore from and to enjoy the landscapes and wildlife. The midges can be a real problem at this time of year, but we were really lucky as they weren’t too bad at all since it had been so dry prior to our stay.

A real highlight of our trip was seeing dolphin when we took a boat trip from Portree Harbour. The food is also pretty amazing – especially the Plockton Prawns!!

In addition to the sketches I undertook during the stay, I was also looking out for inspiration for future artwork projects. To that end, I was lucky to get some up-close photos of some gorgeous Highland Cows and I will definitely be using these to inspire further work when back in the studio.

I do already have some Highland Cow pictures available and they are extremely popular.

Shop – Sketchy Coo

Shop – Coo with a Yellow Earring

Shop – Heilan Coo (limited edition print)

There are currently twenty-eight unique designs in my greeting card range, with new ones being added all the time. All designs are taken from my bright, bold and dynamic original artwork and printed onto quality card to make a delightful and thoughtful card. They can be used for a variety of occasions such as birthday, Christmas, or as a ‘thank you’ card. You could even just send a note to a loved one to say you are thinking of them. 

Each greeting card is printed onto 350gsm superior quality card, which produces striking full colour work.

They are supplied with 100gsm gummed, diamond flap, white envelopes and cellophane sleeves (if you prefer to opt out of the cello sleeve then just leave a message at checkout and we’ll ship without).

All cards are blank inside ready for your personal message.

This bright and colourful stag’s head, titled ‘Caught in the Headlights’ is a popular greeting card and really packs a punch in terms of colour palette! This card is landscape in orientation and is A5 in size.

In today’s increasingly digital world, there is something so special about receiving a hand-written and hand-delivered personal note or letter.

Cards can be sent for a variety of reasons such as a birthday, Christmas or event. You may even just want to let someone know you are thinking about them! The recent lockdowns has meant we have had to be a little more creative and thoughtful in how we stay in touch and a card landing on their doormat can really make someone’s day!

Above you can see the two different sizes available; A5 (portrait orientation in this case) and the square format measures 147mm x 147mm.

This is my current cycling range, so perfect for that cycling enthusiast in the family! Each piece is designed to capture the colour, speed and drama of road cycling. Here in Yorkshire is a very popular cycling location with plenty of hills to get stuck into, complimented by breathtaking views. Probably best to bring your cagoule though!

The top blue image and the red/blue and yellow card on the bottom right were both captured in soft pastels, with bold lines, vibrant colours and soft blending.

The abstracted time-trial cyclist on the bottom left was created with acrylic paint on canvas.

All of these images are also available as fine art prints

I have a large range of animal-themed cards, with plenty of my favourite hares of course! These are some of my most popular images and are suitable for a wide-range of occasions.

Sometimes the cards are bought with the intention of framing them which is a wonderful idea. Please note though, the printing process on cards is entirely different to that of fine art prints and your card will fade with time and also the print quality and colour matching is not the same.

The image seen here is ‘Poppy Hare‘ on an A5 gift card in portrait orientation.

Several of my cards lend themselves perfectly as Christmas cards and my robins are a very popular design during the festive season. Robins are one of my favourite birds (along with owls, blackbirds and blue tits!) and are enduringly popular on Christmas card designs.

Here we have fat, fluffy little robin and a more traditional snowy robin. Both are extremely popular cards.

Each robin card is 147 x 147mm

Both are also available as a fine art print

Another hugely popular card (and print) at Christmas-time is ‘Snowfall Hare‘ and this is an A5 card in portrait orientation.

This image is from an original oil on linen canvas with ‘splatters’ of paint in soft white and blues to depict the falling snow.

Have you noticed how the shadows on the snow where the hare is sitting are blue-toned? I love that!

There are also two charity cards to choose from. These paintings were both created during the pandemic lockdowns and the original pieces are donated to the hospital trust where I work as a nurse.

Proceeds from the sale of these cards and prints all go to the charities. Sales of ‘Sending Hope’ go to the Therapeutic Care Team at South Tees Hospitals NHS Foundation Trust and proceeds from the sale of ‘Sending Love’ go jointly to ‘Friends of the Friarage Hospital‘ and Herriot Hospice Homecare.

BUY – SENDING HOPE HERE

BUY – SENDING LOVE HERE

So, why not stock up on your favourite cards and send a ‘smile in an envelope’ to someone special. I don’t think they will be disappointed.

Also, keep an eye out for new designs coming into the range. Expect more cycling, more birds, more animals……and probably more hares!

I am thrilled to be working with Diamond Art Studio UK Ltd as a new licensed artist for their fantastic diamond paintings.

I must confess, when the company first approached me about licensing artwork I wasn’t familiar with diamond painting. A quick Google and YouTube search and I soon discovered diamond painting is a relatively new but hugely popular hobby with fans around the world.

It is a little like painting by numbers, in that you follow a colour sequence for the picture, however, in place of paints you use colourful little diamond-shaped beads (known as ‘drills’) to create the image.

The finished artwork is absolutely stunning with a depth and glow all of its own. It really shimmers and captures the light. Many people frame their final pieces.

Initially there are three exclusive ‘Vicki Davidson’ licensed diamond paintings for enthusiasts to enjoy.

The first one to be released is ‘Caught in the Headlights’ which is from an original oil painting with an abstract background and blocks of vivid colour. The stag’s head and antlers are created with bold, dark brushstrokes which sits well against the contrasting background.

The mixture of colour blocks and variation will make this a really fun challenge and I can’t wait to see images of the finished result. I suspect he may look pretty good in shiny diamonds!

If you fancy trying this one for yourself, he can be purchased here

The second exclusive image that has recently been released (stock due any day now) is one of my early pieces and one of the only florals I have done. ‘Pink Rose’ was created with soft pastels and I have always liked this picture for the pink and grey colour palette and soft edges.

This will be a particularly special diamond painting set as it contains ‘AB’ drills. This stand for Aurora Borealis and means these drills have a pearlescent effect and add a little extra pizzazz!

Personally, I will look forward to working on this one in particular as I really do love the colour pink and it will be wonderful to see all the subtle colour variations used to create this.

There is also a third image licensed and will be revealed by the company very soon, but I won’t spoil any surprises here!

And, due to such a positive response, we are already in the process of signing up two more of my artworks so there will be plenty to choose from.

So, what can you expect if you order a diamond painting set from Diamond Art Studio? Well, firstly you get a beautifully packaged box, with quite a lot of purple! It’s wrapped in brown Kraft paper and tied with a bespoke ribbon which makes it feel rather special – like a birthday treat!

You receive a small tray which is used to hold the drills as you work and a pen-like tool that is used to pick up the drills and apply to the canvas. There is also some wax which you dip the pen in and this enables you to pick up the drills before placing them to the corresponding colour on your picture.

The drills themselves each have a universal code (DMC) and there is also a legend to the side of your canvas so you can easily identify what colour goes where (although you definitely need good eyesight and I would recommend working with a good light too).

The canvas itself is excellent quality and the picture can be seen faintly. There are lots of tiny little squares and each has a symbol that identifies the colour to be placed. The canvas is scalloped around the edges and has the company logo along with artist’s logo and name in the case of licensed artwork.

The process of painting is very straightforward and I soon found it to be extremely relaxing and a lot of fun. It’s not at all difficult; I thought it might be more tricky and fiddly than it was.

I have only worked on a small sample before and it took me a couple of days to complete, taking a couple of hours at a time. The large paintings are going to take a good while to complete and I think it must be very satisfying to finish!

The completed artwork can then be stored, or even framed. They really do look stunning once finished and the sparkly ‘diamonds’ bring such depth and life to the picture.

Please visit the website to find out more about diamond painting, or search YouTube to see some lovely time-lapse videos so you can see more of what’s involved.

I really recommend diamond painting to anyone who enjoys craft-type hobbies and also if you are looking for a calming and relaxing pastime. The kits would also make excellent gifts.

I do think diamond painting should come with a warning though – it is highly addictive!!

As the pandemic looked set to continue through the winter months, I wanted to create a second painting to mark this continuing journey. My first painting, ’Sending Hope’, had been so well received, with sales generating thousands of pounds for charity, I felt there was probably an appetite for a second painting. People were also beginning to ask when ‘Sending Hope 2’ would be released?!

With a week’s annual leave booked in November, and not able to go away anywhere due to the lockdowns and travel restrictions this was the perfect opportunity to create the artwork. I bought the same size canvas as the original of Sending Hope (100cm x 70cm) and started to work through some concept sketches for the painting. 

I felt the painting needed to reflect the darker mood and also the dark winter months with bare trees and more sombre colours. One of the things that has hit me hardest throughout the pandemic has been the visiting restrictions in the hospital and the impact this has on patients and their families. Community volunteers have been making knitted and fabric hearts to give to patients and families as a way of connecting them when they can’t see each other and I wanted to represent this in my painting.

Because it is now apparent this is a longer journey than we all initially anticipated, I also wanted the painting to reflect a journey – an uphill one! Of course, the bright and hopeful rainbow is there to greet us just over the brow of the hill.

The painting is designed to be a mirror image of Sending Hope and so they will make a neat pair when hung together. However, the original paintings will not hang together as I was delighted that managers at The Friarage Hospital in Northallerton (part of South Tees Hospitals NHS Foundation Trust) agreed to display the painting in their main atrium. Northallerton is my local hospital and also where my daughter was born so I am especially pleased to support The Friarage. 

Another really big thank you to Andy Richardson at Wensleydale Galleries and Framing for supplying the frame. https://wensleydalegalleries.co.uk/

**Prints and greeting cards are now available, with proceeds going to the Friends of the Friarage Hospital and Herriot Hospice Homecare**

https://www.herriothh.org.uk

https://www.friendsofthefriarage.org.uk

It is very exciting to take part in my first juried gallery exhibition.

This is an international group exhibition with New York based Artios Gallery

https://www.artiosgallery.com/

The exhibition is titled ‘Art Of Being Alone: The Memorable Moments Of My Life’.

‘Because of an unexpected global pandemic crisis, a notion of Surrealism became our Reality. Cloistered in homes, everyone had plenty of time for reflection and self-observation. Struggling with new challenges, people tried to find a balance in everyday life. For artists, this struggle has ended in possible and productive way – the creation of ART’

This year, I had big plans for my fledgling art career and I have most definitely made considerable progress but not at all in the way I planned! It is therefore quite fitting to be part of this exhibition which celebrates art and artists who, during the pandemic,  have used their creativity as a way to find balance and focus. Although, I absolutely was not ‘cloistered’ in my home, rather juggling my art around my demanding hospital-based job and the needs of my family. It’s just as well I like to be busy and I like to be challenged!

Three of my works have been selected and the virtual gallery can be viewed here; https://www.artiosgallery.com/virtual-gallery Curator – Elena Dobrovolskaya www.ElenaDobrovolskaya.com

I am thrilled my painting of ‘Surgeon-Turned-Nurse’, Mr Joel Dunning, is to be featured in a new hardback book this November. The book has been curated by the mastermind behind the Instagram initiative of ‘Portraits for NHS Heroes’ (#portraitsfornhsheroes), artist Tom Croft, and published by Bloomsbury Publishers.

For artists, lockdown was difficult with their galleries and studios closed to the public and art fairs and exhibitions cancelled. Social media was where many turned for collective support and inspiration. Artist Tom Croft started the ‘Portraits for NHS Heroes’ (#portraitsfornhsheroes) initiative to support hospital workers on the frontline of the pandemic, and it quickly gathered momentum. Artists could advertise on their Instagram account, using the ‘portraits for NHS heroes’ hashtag and healthcare workers could team up with an artist who painted their portrait for free.

Very soon, Instagram feeds were full of artists sharing their incredible work. I looked on with envy as I was too busy at work in the hospital to participate, but I very much enjoyed seeing an ever increasing gallery of work.

Before long, I really couldn’t resist but decided to pick my own ‘NHS hero’ – my privilege I reckoned for being a nurse and an artist!

I approached my colleague, Mr Joel Dunning -a brilliant cardiothoracic surgeon- as I was so impressed by his inspirational response to the pandemic. Joel quickly realised that, with his routine lists cancelled and high numbers of patients expected in critical care, it was nursing hands we were likely to be short of. Critically ill patients in intensive care require a 1:1 nurse to patient ratio, and with plans to expand out critical care capacity to unprecedented levels in response to the developing pandemic, our nursing resource was going to be stretched to breaking point. Therefore, Joel put himself forward to receive training in critical care nursing and started his grueling 12 hour shifts in full PPE.

I was so inspired by Joel’s willingness to do whatever was required and his brilliant leadership. Luckily, he was willing to let me paint his portrait and supplied me with some suitable photographs to work from.

It never meant to be a ‘three-in-one’ portrait – my most ambitious to date- but hopefully it tells the story of a surgeon during a global pandemic who takes on the role of nurse. It did involve a few late nights to complete the work, but hopefully the result has been worth it.

The original picture is now at the entrance to our STRIVE Academic Centre at South Tees Hospitals NHS Foundation Trust to not only remind us of healthcare during these unprecedented times, but also to inspire our future generation of medical and healthcare staff.

Thousands of portraits were created as a result of this initiative, with professional and amateur artists all depicting their NHS heroes with varying techniques, mediums and styles. The hardback book contains over 350 portraits created during the pandemic lockdown. The book is due to be released on November 12th and is available for pre-order now via Bloomsbury Publishing or Amazon.

The best bit……all proceeds and royalties go directly to NHS Charities.

Whilst exhibiting at The Art Crowd, Northallerton High Street, my fresh-off-the-easel painting, titled ‘Yorkshire Hare’ was given pride of place in the window display. He generated a lot of interest and sold very quickly.

However, I had recently learned that my printers, Nidd Imaging, could generate fine art prints on canvas and these are a very close match to the original painting. The canvas print is stretched over a pine frame and the image is ‘wrapped’ around the edges of the canvas. It is then given a couple of coats of protective varnish and comes complete with a hanger; literally ready to go straight on the wall!

I have had a lot of enquiries regarding ‘Yorkshire Hare’ since sharing via Vicki Davidson Art on Instagram and Facebook. Customers are disappointed that the original painting has sold already, but it is nice I can offer an alternative product that can still look every bit as good as the original. I am super impressed with the quality of these canvas prints. I think they are a brilliant idea and I am considering selecting some of my other prints to try in this format, along with the more traditional mounted prints I already offer.

These canvas prints are fully archival and can be sized according to the hanging space with sizes available in 2” increments.

You can read more about the product here;

http://www.niddimaging.co.uk/canvas/

You can also read about Vicki Davidson at The Art Crowd, High Street, Northallerton, until September 10^th.

https://www.thenorthernecho.co.uk/news/18661938.new-guest-artist-announced/

And, finally, here is a picture sent to me from a very happy customer after her ‘Yorkshire Hare’ canvas print was given a very prominent spot in her living room.  I think he has found a very nice home, what do you think?!

Since the start of the global COVID-19 pandemic, our hospital – The James Cook University Hospital, Middlesbrough- has been closed to visitors and public to help protect people and minimise the risk of viral transmission. In addition, routine surgery and out-patients have been paused.

The hospital can feel rather bare and lonely without the usual hustle and bustle and our amazing ‘Therapeutic Care Team’, along with an army of volunteers, have set about brightening the walls of the wards and corridors with beautiful laminated artwork by our local children. It really has had such an impact and lifted the spirits of both patients and staff. As the overriding symbol of hope during this pandemic, the rainbow has featured in much of this work!

I was incredibly honoured when asked to create an artwork that would serve as a permanent reminder of this time. We have achieved incredible things by working together and supporting colleagues to provide the best care possible to our patients during this unprecedented time.

I decided to work on the concept of ‘hope’, depicted by a child creating a rainbow, bringing light and colour to a dark world. She has been playing with her teddy who wears an ‘NHS’ mask and this leads her to think about how she may contribute to the collective effort, and thus creates her rainbow picture. Of course, she uses her tin of rainbow paint to do this!

The artwork is now on permanent display in our main hospital atrium following a brief – socially distanced – ceremony. The ribbon was kindly cut by a former ITU patient who has recovered from COVID-19, along with her granddaughter who has volunteered in the hospital throughout.

The response to the painting has been overwhelming, it really seems to resonate with many people – each perhaps taking their own message and response to the painting and what COVID-19 has meant to them.

A huge thank you to The Art Shops in Northallerton and Ilkley for kindly donating the canvas and paints for this project. https://theartshops.co.uk/

Also, a really big thanks to Andy Richardson at Wensleydale Galleries and Framing for supplying the frame. https://wensleydalegalleries.co.uk/

What a team effort it has been!

**Prints and greetings cards are now available, with proceeds going to the Therapeutic Care Team at the hospital**

One of my favourite TV programmes – Sky Arts Portrait Artist of the Year – has also been adapting to lockdown. In order to unite the art community and provide a fun, interactive way to challenge artists they have been running weekly ‘live’ celebrity portrait sittings via Facebook Live, named Portrait Artist of the Week!

Unfortunately I have been too busy recently with NHS work and my painting commissions to participate fully but I didn’t want to think I had missed out entirely! So, I tuned in on May 24^th to see my favourite artist – and past winner of Sky Portrait Artist of the Year – Cristian Hook, paint singer (and original Pop Idol!) Will Young.

I was only able to watch the first couple of hours and really enjoyed the conversation between Will and Cristian, so much so that I didn’t do any ‘live’ painting. Instead I took a series of screenshots on my iPad to work on through the week.

I chose to work in acrylic on aluminium panel. Acrylic paints dry much quicker than oils – which has advantages and disadvantages! The aluminium panel provides a smooth surface and I enjoy the end result with aluminium.

To enter the competition, the images are shared on Instagram with the hashtag #myPAOTW . There were thousands of paintings and drawings submitted from all over the world – absolutely incredible! The judges must have had a very difficult task in singling out the top three, but the three they chose were indeed superb paintings.

Overall, a really enjoyable experience and I’m a little bit sad not to have been able to participate every week.

And, although the judges didn’t pick out my work, I am delighted to say that Will Young contacted me later and chose to buy the portrait from me!

We were lucky enough to get away recently for a short family break to the Scottish Highlands and Isle of Skye. I did of course take my sketchbook but we were so busy with walking, cycling, sightseeing and eating scrummy food that I didn’t find much time to sketch. I managed a quick watercolour of the iconic Eilean Donan Castle at Dornie when we stopped briefly on our way to Skye and I hope this will guide a larger painting at some point. The scenery in this region is absolutely stunning and we got plenty of fresh air and exercise, so feeling well rested.

On return home I was itching to get back to my paints and easel and decided to continue on my ‘hare’ series, working big and bold. My canvas measures 80cmx80cm and I think this painting will make quite some statement! I chose a reference photo from the incredibly talented Sue Cross (IG – @suecross) although I don’t go for photo realistic copy, preferring to adjust and interpret in my own way. I never use a photograph without permission, although sometimes I refer to images from creative commons zero sites such as Pixabay and Unsplash.

I decided to work in acrylics, mainly because of the shortened drying time compared to oil. I absolutely love working in oil paints, especially with the ease of blending colours. However the long drying time (months!) can be a real downside, especially as I would like to use this painting as a window piece in an upcoming exhibition this month.

I enjoy acrylic much more than I used to and throughout this painting I used a glazing technique. Glazing involves applying thin washes of colour over sections of the painting and is rather effective at creating a uniformity of colour and building up depth in the painting.

The size of the canvas has been a real challenge and it has taken many hours, especially working on the fur. The finishing touches will be the whiskers and I should be able to call him finished this week. I will then take the painting to the brilliant Nidd Imaging in picturesque Pateley Bridge for digitisation so we can produce prints and greetings cards.

Next up on the easel will be a very special commission which I am looking forward to. I won’t be working on quite such a big canvas though, and it’s a human subject, not a hare!

With much of the world in lockdown, and an ever increasing focus on the ‘frontline’ workers, and particularly the NHS, many people have been left wondering how they will adapt and work differently.

For artists, lockdown has been a particular challenge, with their galleries and studios closed to the public and art fairs and exhibitions cancelled. Social media has been where many have turned for collective support and inspiration. The brainchild of portrait artist Tom Croft, #portraitsfornhsheroes was started and quickly gathered momentum. Artists could advertise on their Instagram account, using the ‘portraits for NHS heroes’ hashtag and healthcare workers could team up with an artist who painted their portrait for free.

Very soon, Instagram feeds were full of artists sharing their incredible work. I looked on with envy as I was too busy at work to participate but enjoyed seeing an ever increasing gallery of work – visors, facemasks, scrubs, doctors, nurses, support workers, radiographers, physiotherapists, paramedics, porters- the portraits were really capturing the moment.

Before long, I really couldn’t resist but decided to pick my own ‘NHS hero’ – my privilege I reckoned for being a nurse and an artist!

I approached my colleague, Mr Joel Dunning -a brilliant cardiothoracic surgeon- as I was so impressed by his inspirational response to the pandemic. Joel had quickly realised that, with his routine lists cancelled and high numbers of patients expected in critical care, it was nursing hands we were likely to be short of. Critically ill patients in intensive care require a 1:1 nurse patient ratio, and with plans to expand out critical care capacity to unprecedented levels in response to the developing pandemic, our nursing resource was going to be stretched to breaking point. Therefore, Joel put himself forward to receive training in critical care nursing and started his gruelling 12 hour shifts in full PPE.

I was so inspired by Joel’s willingness to do whatever was required and his brilliant leadership. Luckily, he was up for the challenge and bravely supplied me with some photos to work from.

It never meant to turn out as a ‘three in one’ portrait – my most ambitious to date- but hopefully it tells the story of a surgeon during a global pandemic who takes on the role of nurse. It did involve a few late nights to complete the work, but hopefully the result has been worth it.

What a brilliant role-model – thank you Joel!

The original picture will now hang in our STRIVE Academic Centre at the South Tees Hospitals NHS Foundation Trust to not only remind us of healthcare during these unprecedented times, but also to inspire our future generation of medical and healthcare staff.